snowdrops and broken hearts: a monorhyme*

Pluck one, and then two,
hold those tears, though true,
“He loves you not.” Chew

perished juice— his rue.
Pluck three, four, five. Phew.
Let him go. Adieu.

Enough of flower’s woo,
your chapter is through.
Spit the seed ‘side you.

Beside your window’s view,
sink yesterday’s blue,
water with hope’s brew.

Wait for spring’s hue
where snowdrops grew.
Pluck not, rebirthed. New…

11.28.2019
©2019 Rosemawrites@A Reading Writer. All Rights Reserved.
Photo by Urban Prah on Unsplash
For dVerse Poetics: Sylvia and Ted.
The challenge is to write a poem in the format and style of either Plath or Hughes. It must be about something that grows or multiplies and is in some way invasive.
I picked Plath’s format: Plath’s lines are very short, with nearly every line consisting of five syllables; Plath’s poem is arguably feminine in tone.
I also used the monorhyme format – which means all lines are rhyming. 🙂

Rebirth*

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*A collaboration with my Queen of Sonnets,who I consider a dear friend,  Melinda Kucsera of In Media Res.

Rebirth*: A Renkay**

Through bright light I rise
Endless night I leave behind
From a corpse set free

Body lays frozen
As warm soul flies, awaken
Is my life’s taken?

Into light divine
The source of life I see
Death is a doorway

Feet leads to stairway
Towards the place for the dead,
Also for rebirth.

Mounting the risers
I ascend towards heaven
Its pearl gates call me.

P.S. Thank you, Mel, for sharing your pen with me again! It is always, always a delight! Good luck on your new book. ❤

Photo credit: Pixabay

Word Inspiration: Sarah Doughty of Heartstring Eulogies (Thank you, Sarah!)


*Renkay 

Renkay is a shorter American variation of the Renga. It fosters developmental linking in which the poets move the poem through a theme. It allows for linking of previously written haiku, unlike the renga’s spontaneity.

Renkay is:

  • usually communal, written by more than one poet. (It can also be written by just one poet.) The change of poet can either be indicated by initials to the side of the stanza or in this day of computers, by italics or change of font.
  • stanzaic, 5 linked tercets.
  • syllabic, each stanza is 17 syllables or less, usually written in 3 lines of short-long-short pattern of the haiku, sort of.
  • composed around a common theme.
  • often composed with a senyru as the final stanza.

From Darkness*

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*A collaboration with my new-found pen-partner, Josslyn Turner of A Life In Transition.

From Darkness

Stumbling, catching breath
Through forest of black
Where dreams are scarce
Breakaway from the static

Searching, seeking light
‘tween trees like beasts
Death seething in the gloom
Catching souls that wilt

Struggling, fighting for purpose
Escape from the lingering shadows
Where regrets are abundant
The light above awaits

Climbing, rushing towards light
Away from a thousand broken promises
Inside the brightness of heaven
Beating heart’s now even.

Following the whispers of the wind
Toward a life anew
Heaven can wait another day
My time is here and now.

Photo Credit: Ariel Ophelia