Still wrapped in blanket of soft innocence,
like a butterfly fresh from its cocoon,
a young breath given too short existence
by evil desire of a maniac goon.
A lifeless, cold shell wimps a wordless croon.
An animal act, perhaps it is not,
for mammals, reptiles, these kingdoms just ought
to kill to survive. But humans, we have
become brainless, salivating, cracked nuts,
drowned by earth’s urges, a shame of Above.
My lines bleed for the one-year-old boy raped and murdered by a drunk man in my motherland, the Philippines. My heart breaks. My soul is burning with rage. Why. Why. Why. What have we become. What have we become.
©2019 Rosemawrites@A Reading Writer. All Rights Reserved.
Photo by Henry & Co. on Unsplash
The *dizain is a 10-line form which – like so many good ones – originated in France. It was popular there in the 15th and 16 Centuries, and has also been used by such famous English poets as John Keats and Philip Sidney.
The basic rules for the dizain are that it has one stanza consisting of 10 lines, with 10 syllables per line, and the rhyme scheme is ababbccdcd. Do you see how the second half of the stanza sort of mirrors the rhyme scheme of the first? Not using the same rhymes,but reversing the sequence. It’s more obvious if I make a break between sections: ababb ccdcd – though the poem is not usually written with a break.